Stan Brakhage (Summary) Telling Time Essays of a Visionary Filmmaker
- Telling Time Essays of a Visionary Filmmaker
- Stan Brakhage
- 13 September 2019 Stan Brakhage
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Other artists are models of sympathetic intuition and generosity Above all he shares his theories discoveries and understandings in the spirit of establishing a groundwork for many varieties of human liberation His prose is filled with flashes of insight elaborated metaphors playful elisions shorthand puns and neologisms personal digressions surprising epiphanies leaps of faith affronts to authority He appeals to the imagination and invites us to a profound and personal experience of art.
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Musicworks a Toronto uarterly Ostensibly about the relation of film to music they soon enlarged to explore primary concerns beyond film including Brakhage's aesthetic theories based on the phenomenology of human cognition In these essays he is as brilliant discussing Gertrude Stein or romantic love as he is on child psychology astronomy and physiology all the while teasing out vital correspondences between the arts and upending conventional ideas of how we perceive His investigations of.
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Throughout a career spanning half a century Stan Brakhage the foremost experimental filmmaker in America and perhaps the world wrote controversial essays on the art of film and its intersections with poetry music dance and painting Published in small circulation literary and arts journals they were gathered later into such books as Metaphors on Vision and Film at Wit's End Beginning in 1989 and for a decade thereafter Brakhage wrote the essays in Telling Time as an occasional column for.